Whether you’re a pantser or a plotter, the storylines of your manuscript need to be rooted in its themes, character arcs, backstory, locality and maybe even destiny . . . When those roots are allowed to do their job, a strong narrative emerges—storylines twisting back and forth across each other, establishing the interconnected world of your book.

What is a Developmental Edit FOR?

• It brings together data on both macro and micro issues, creating a multi-layered report

• It assesses the overall health of the text

• It highlights areas that might benefit from revision

• It identifies solid strategies to realize those improvements

• It explains the reasoning behind those recommendations

A Developmental Edit includes the following:

• Initial consultation on Zoom (or messaging app of your choice)

• Comments throughout the manuscript using Review in Microsoft Word

• Basic formatting

• A detailed editorial letter

• Follow up meeting where you can ask any questions about the editorial letter and comments

• Email responses, after follow up meeting, to questions raised in developmental edit

What is an editorial letter?

The editorial letter brings issues found in the manuscript together in one place, and gives practical suggestions for revision. A typical letter will include:

• Chapter summaries with bullet-pointed issues specific to that chapter.

• A compilation of recurring issues grouped under general headings such as Plot, Point of View, Character Development, Dialogue, Prose, Narrative, Conflict and Tension, Character Description, Chapter Length, Chapter Beginnings and Endings, and First Chapters. These will each be broken down into any component parts that are relevant to the text. I might also comment on things like word count, visual elements, timestamps, epistolary text or epigraphs. All these sections contain not just observations and examples from the text, but suggestions as to how to resolve the issues raised.

• A rough summary of all proposed changes.

• Copy editing and line editing issues, such as plot holes, POV drops, language that could be more immersive, and so on.

NOTE: While some writers like editors to use Track Changes, others prefer not to, so the notes in the Review section can serve to flag specific issues, which can be discussed over a video/phone call, if that works best for you. Also, unless edits to the text have been specifically requested, the text itself will only be changed with regard to typos, formatting problems and inconsistencies.